Now, getting to the high life. The family Jetson reside in Orbit City. Orbit City has all the accommodations you'd expect in a cosmopolitan sort of place - but they're all raised high above the ground. The architecture designs echo mid-20th century space age mod Googie style: sweeping arches and upswept roofs, large domes, boomerang, amoeba, and palette shapes, atomic symbols and motifs, flying saucer shapes, and of course, the starburst.
Below is a selection of images that highlight the man-made environs of Orbit City.
|The Jetsons live in the Skypad Apartments - a large five story multiple-family dwelling.|
|George and Jane's son Elroy attends Little Dipper School (Note the boomerang-style platform).|
|Daughter Judy Attends Orbit High - complete with a large domed stadium.|
|Jane 'his wife' often spends her mornings at Orbit City's massive Shopping Center (Note the tiny people on the platforms, and the starburst array on the front-most structure, as well as the palette shaped sign).|
|George works as a 'digital index operator' at Spacely Space Sprockets, Inc. (Note the elevated drive/walkways that lead to the main entrance).|
|The teens can hang out at The Spaceburger Drive-In (Note the electric rays emitting from the neon sign).|
|There's the space age Fun Pad amusement park for folks of all ages. (Note again the large size of this structure and rides by the size of the people on the platforms).|
|The Moon is always an adventure and the Moonhattan Tilton Hotel is a popular resort. (Notice the tube travel system and the glass dome providing the comfy environment for visitors.)|
|The Sonic Sahara Hotel and Resort is pretty swank in pink.|
|The Supersonic Sands Resort and Casino provides great accommodations. (Note the amoeba-shaped platform and the boomerang-styled swimming pool).|
|The Super Sonic Club is a stylish affair for dine and dancing. (Note the spaceship-style top structure and the zig-zag support beams underneath).|
|Local station KLMN with a simple satellite array and the googie-style shaped backgrounds for the station call letters signage.|
|The asteroid TV Productions' structure features the large plate glass windows so popular in mid-mod architecture design.|
|Space Gems is a large complex with a more elaborate communications array for coverage to a larger audience.|
|This is George Jetson's boss Mr. Spacely's 'old cabin' getaway - a very mid-mod styled vacation home of the 20th century (Note the sloping roof, the rosewood material for an added warmth to the design, and the stone chimney for a natural touch).|
|This is the sprawling ranch mansion of billionaire J.P. Gottorockets (Note the pond on the left with the abstract sculpture in the middle).|
And finally, below are a few shots of life on the ground. Paradoxically, two of them are things you'd most associate with the sky:
|The Grand Central Space-tion - interestingly this design is very much like that of the TWA terminal at the JFK airport in New York, designed by Eero Saarinen. Both were debuted in 1962 - coincidence?|
|In the seventh episode this little bird found himself grounded due to all of the traffic in the air.|
The final image brings us all down to reality. At the lower levels of Orbit City reside the poor. The 'hobos and the layabouts.' In The Jetsons' seventh episode the character pictured below steps in briefly to give a punchline for a joke. Perhaps Hanna-Barbera meant this a a dark punchline in a general way as well - even with all the amazing gadgets and gizmos of 2062 poverty will still be with us. But while those who have are living the high life, those who have not (for whatever reasons) will be below out of sight and out of mind.
The Googie style began in Southern California in 1949 when designer John Lautner created the new look for Googie's coffee shop at the corner of Sunset Boulevard and Crescent Heights in Los Angeles. The style caught on and was soon used in designs everywhere. Where it really stood out were the gas stations and motels developed along American highways - Googie represented the Space Age and all of its promises realized in a visible way, it captured the imaginations of the new travel culture that developed post-WWII. The more conservative and pretentious architects and designers had - and have - ridiculed the designs complaining that they were garish and too vernacular to be taken seriously. The style faded after about twenty-five years. Much of the structures and signage have been dismantled and destroyed. There are groups of people who have begun to appeal for the preservation of those places that still exist - they point out that these are important visual reminders of an important era in U.S. history.
If you'd like to see and read more about Googie be sure to visit Googie Architecture Online - it's a marvy site and a great reference.